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Writing Tips Archive

 

Tip for June 2010

Make friends with other writers

Nobody understands the writing business like another writer. Need help with craft, plotting, characterization? Brainstorm with those in the know. Make friends with writers at all levels. You'll be amazed at the benefits. A knowledgeable writer can help translate a rejection letter, explain the business, and help you get ready for interviews, conferences and appointments.


Tip for May 2010

Avoid comparing yourself to others

Your path to writing success is different from mine, which is different from anyone else's. Comparing your journey to another's only leads to envy, jealousy and the feeling that "they're doing better than I am." (Insert any negative mantra here.) Not true; the paths merely differ.


Tip for April 2010

Writing is not for the faint of heart

Writing is a craft that takes years to hone, and challenges the mind and the spirit in ways the non-writer can't even imagine. Along the way, you'll face rejection and more rejection. Don't despair, and don't lose sight of your dream. Work to improve your craft, and in time, you will get there.


Tip for March 2010

Be professional

Back in my banking days, I once took a seminar called, "Etiquette for Business," a class that was about good manners and etiquette in everything from dining to thank you notes to email. Great stuff! One point that particularly sticks with me is that you never know who might be observing you-both in person and online. To name a few, editors, agents, readers and other authors.

Behave as a professional. Never badmouth anyone in public. Save any crying jags, hissy fits or outrage for when you are either alone or in the company of those you trust.

When you submit your writing to agents and/or editors, follow professional standards. Double spaced, a font easy to read (I use Courier 12-point, because this is the font and size most agents and editors prefer). Black ink. One inch margins on each side and the bottom, with slightly bigger margins on the top. Name, title of work and page number at the top of every page. For hard copy, one side of the paper only.


Tip for February 2010

Don't listen to the negative nellies

I'm talking about the naysayers, those who spout off all the negative information they can find. Here are some examples: "The market is tanking or has tanked." Publishing as we know it is doomed." "None of the editors or agents is looking for new writers." "Vanity press is the only way to go." I'm sure you've heard these and plenty of other negative statements ad nauseam. Don't let these downers hurt your efforts to succeed! Make the information work for you. Explore the market. Visit publisher websites. Read editor and agent blogs to assess what they think and want. Arm yourself with knowledge. Most important: don't give up!


Tip for January 2010

Set Daily Goals

The writing arena is filled with "how to" courses, seminars and books, of which I'm a huge proponent. However, the only way to learn the craft of writing is to sit down and write. Every single day, with a few days off here and there. Set daily writing goals for yourself, then stick to them. Make sure you don't set your goals too high, as failure to achieve them will demotivate you. Page goals work well-even if you only have time to write one page per day. The means in 365 days you'll write somewhere around 365 pages, which adds up to a full-length novel!


Tip for December 2009

Hook readers from the start

To paraphrase writing guru Dwight Swain, start your story on the day something is different. In other words, jump into the action! Save the backstory for later, and sprinkle in a little at a time.


Tip for November 2009

Use metaphors to strengthen your work

Metaphors are powerful symbols. Many writers use them naturally, without conscious thought. Be aware of metaphors, and use them intentionally to strengthen your story. For example, a violent storm could symbolize a character's turmoil. A photo ripped in half could represent letting go of the past.


Tip for October 2009

Don't rush to finish

If an editor or agent requests your work, don't rush to send it. Take your time editing and polishing to make your writing the best it can be. (Just don't take too long. A few months at most.) Trust me on this, because I've been there. Tell whoever requested all or part of your story, "I'm polishing the work now and will get it to you in (fill in the blank)." Then follow through.


Tip for September 2009

Trust your characters

You've written a synopsis and you know where your story will go. Now allow your characters show you how to get there. Instead of forcing them to act a particular way or say what you want them to, let them do and say what comes naturally. You'll be surprised at what they reveal.


Tip for August 2009

Start your story on the day something changes

Writing guru Dwight Swain says to start your story on the day that's different. Avoid using too much backstory, which can be cumbersome and dull. Instead, jump right into the action. As your story unfolds, layer in any needed backstory.


Tip for July 2009

Use similes that work with your story

From time to time all writers use similes. Avoid clichés by using similes that apply specifically to the character or story. For example, the hero in my July Harlequin American owns a remodeling business. In one particular scene, the heroine's facial expressions pretty much express what she's thinking. I could've said, "She was as easy to read as an open book," but that's been used umpteen times. So I sifted through my hero's toolbox and used something from it: "Her face was as easy to read as a level."


Tip for June 2009

Use description sparingly to enhance your story

These days no one wants to read paragraph after paragraph of description. Trust the reader to "see" the setting by sprinkling description here and there, and make it part of the story. Here's an example from my July Harlequin American, A Father for Jesse: Once outside he headed for the sea. The sleet had stopped, but the wind had picked up, and there was no one else on the street. Mac tromped down the rest of the block, rounded the corner, and strode down the gently sloping hill that led to the beach.


Tip for May 2009

Use active words

Add oomph to your story by using active words that paint a picture. For example, instead of "the red Honda drove quickly past," try "the red Honda zipped past in a blur." Note how the words zipped an blur paint a picture.


Tip for April 2009

Write the best book you can

Industry experts say it over and over-write the best book you can. Apply every craft skill you know, to the best of your ability. Edit yourself and polish the work until it shines. Then ask a critique partner or reader for feedback and edit and polish again.


Tip for March 2009

Find ways to motivate yourself

Keep yourself motivated with small rewards for progress made. Set a weekly writing goal and make a chart to track the number of pages written per day and per week. If you reach your weekly goal, pay yourself with money or a chocolate treat or a walk through the park-anything that works as a reward for you. When you see those pages starting to add up, that in itself might motivate you.


Tip for February 2009

Trust your gut

When others read and critique your work, remember that they offer only suggestions and opinions, not must-do's. Some of the feedback will be exactly what you need to improve your work. Some simply won't resonate with you. Trust your gut-if a suggestion doesn't feel right, ignore it.


Tip for January 2009

Start today

This is the start of a new year. If you dream of being a writer, why not reach for that dream? Sit down at the computer or whip out that notebook and get started. Stuck? Scared? Join a writers' organization (Romance Writers of America is excellent at sharing information about the craft of writing and the industry and the business of publishing). There you'll find support and help you need. Best of luck!


Tip for December 2008

Seize opportunities

Need help honing your work? Enter drawings or contests where a critique is the prize. A professional writer can offer invaluable advice and input that will help make your story the best it can be.


Tip for November 2008

Volunteer

Get involved with your local writing group by volunteering.  You'll meet lots of fascinating people, including industry professionals. Who knows, you might even meet your future editor or agent!


Tip for October 2008

Enter Contests

Contests are a great way to test out the waters for your work.  If you're looking for feedback, enter contests where you will get that.  Often agents and editors judge the final entries, so contests can be a great way to get your work in front of that agent or editor who might not otherwise get the chance to read it.  If you final in or win a contest, add the good news to your query letters.


Tip for September 2008

Find the right critique group

Finding the right critique group is like finding the right spouse.  There are many possibilities, but one size does not fit all.  If you leave a critique group session feeling negative and filled with doubt, the group may not be right for you.  Find people who are supportive, yet offer meaningful and constructive help without trying to rewrite your work.  How do you find the right group?  Trial and error.


Tip for August 2008

And cut!

Keep your story tight and moving forward by cutting out the extraneous stuff.  If it doesn't advance the story in some way, it must go.  If you're like me, you hate to cut anything.  What if you need the sentence or paragraph later?  I create a folder titled, Extra Stuff.  Everything I delete goes there.  That way if I want it later, I have it.


Tip for July 2008

Share Your Characters' Emotions

Plot and story are important, but if your readers don't care about the characters, your story will fall flat.  Crawl into your characters' skin and share their thoughts and feelings.  How do you crawl into a character's skin?  There are many ways.  One way is to complete a character sketch.  For a template of a character sketch, go to Articles and click on Getting to Know You.


Tip for June 2008

Never, never, never give up!

We all face rejection.  I know I have.  Don't let those no, thank you's stop you from working toward your dream.  Stay focused and keep your eye on your goal.  The only way to lose is to give up.


Tip for May 2008

Ideas are Everywhere

Having trouble thinking of a story idea?  Never fear--ideas are everywhere!  Eavesdrop on a conversation.  Read magazines and the newspaper for inspiration  Listen to the radio, watch TV and movies.  Ask yourself, what if something else happened instead?  Explore the answers through a story you create--and let the creative magic unfold.


Tip for April 2008

Be punctual at your desk

Make the best use of your writing time.  When you sit down at the computer to write, don't let email or the Internet distract you.  Save those as "treats" for after you finish your work.


Tip for March 2008

Build a Brick Wall Around Your Writing Time

Life is full of distractions.  Busywork will fill your day if you let it.  Make time to write.  That could mean setting your alarm to go off an hour early and writing then.  Or maybe you prefer waiting until everyone else is asleep.  Some people write on the weekend.  Doesn't matter, as long as you carve out time to write.  Short of death or a medical emergency, don't let anyone or anything cut into your writing time.  If this time is important to you, others will (hopefully) respect that.


Tip for February 2008

Read a Craft Book and Apply What You Learn

There are hundreds of books and articles that deal with the craft of writing.   Reading something new or rereading an old book can be equally valuable.  For me, it's a matter of where I am and what I need at the moment.  Even with craft books I know very well, I always find some new insight or a new way of looking at my craft.  You will, too.  Take what you learn and add it to your writing tool box by applying it to your own writing.


Tip for January 2008

It's a New Year!  Set the Course for Success

The start of the new year is a great time to set your writing goals for the year. Write the goal(s) on a sheet of paper. Then work backward to figure out how to get there, step by step. For example, say your goal is to write a full novel by the end of the year. Write that down: Complete a 400-page novel by December 31 of this year. Now work backward. How do you reach your goal? By writing all those pages. That's 33.33 pages per month. Or 7.69 pages per week. Or, if you write every single day, that's only 1.1 pages per day. (Remember, 2008 is a leap year.) But you may not write every day. So factor out days off for holidays, playtime, etc. By breaking the goal down into small, measurable steps, you'll map out your plan for success. Then chart that goal and reward yourself for your accomplishments.


Tip for December 2007

Your Synopsis is Your Friend--Give Yourself a Road Map

Synopses are a pain to write, but so important.  A synopsis is nothing more than a road map of where your story will go.  Writers don't always stick to the synopsis (just as we don't always follow that map when we're driving), but using it as a guide is a big help.


Tip for November 2007

Give Yourself a Break

Unable to finish writing that novel?  Feeling stuck and uncreative?  Refill your creative well by taking a break from writing.  See a movie, go shopping, take a drive in the country or take a walk with a friend.  Getting away, even for a brief time, will do wonders for your creativity.


Tip for October 2007

Don't Chase After the Market -- Write About What Interests and Excites You

Readers' tastes change often, and what's hot in the market now might soon be tepid or cold.  Instead of chasing popular trends, write the story you want to write.  Your feelings will shine through.


Tip for September 2007

Read Out of Your Own Genre

We all have our favorite genres, the books we love to read.  Read everything you can in the genre you're targeting.  But it's important to read books in other genres, too.  This will broaden your perspectives on writing, and you might even find a new interest.


Tip for August 2007

Write What You Love to Read

If you love a certain sub-genre, that's what you should write.  You already have an understanding of what works in that sub-genre, so you're a step ahead.  Your love for that particular kind of story will shine through.


Tip for July 2007

Discipline, discipline, discipline

The only way to publish that novel is to keep at it.  Learn the craft, write every day, and don't give up!  This requires discipline and a willingness to learn and improve.  Take workshops and classes, attend conferences, get together critique partners who can help.  Even if you only find time to write half a page per day, do it!  Preferably at the same time each day.  You are training your mind to write, and doing it will soon become a habit.


Tip for June 2007

Keep Dialogue Natural and Avoid Too Much Dialect or Slang

If your character speaks with an accent, such as Irish brogue, use dialect words sparingly.  Too much is distracting.  For example, use 'tis instead of it is.  Other options are to structure the dialogue to convey the "foreign" way of speaking.  Or tell the reader, "She spoke with a Southern twang."


Tip for May 2007

Motivate Your Characters

Characters can get away with doing and saying just about anything, as long as they're properly motivated.  Share their motivation with readers so they understand the reason for a character's behavior and language.


Tip for April 2007

Conduct Your Life as if You're a New York Times Best-selling Author

If you were an NYT best-selling author, how would you spend your days?  In order to make that list, an author writes just about every day, constantly improving her craft.  She doesn't let anything get in the way.  Don't let time suckers steal your writing time.  Train your friends and family  that for part of each day you will write with blinders on--focused on writing and nothing else.  You'll be amazed at what you accomplish.


Tip for March 2007

Avoid Sagging Middles

Don't let your story bog down in the middle.  Keep the tension high by adding twists and turns readers don't expect.  If you can't figure out what to do, grab a paper and pen and jot down 20 things that could happen.  Don't edit these!  Just write whatever comes into your mind.  When you have 20 ideas, look through them and choose the one(s) that will work best.


Tip for February 2007

Watch Use of Adverbs

Avoid using adverbs whenever possible.  Instead, how the reader how the characters feels and reacts.


Tip for January 2007

Use Setting to Enhance Your Story

Setting is an important part of every memorable story.  Create a setting integral to your story, but don't let too much description slow the pacing and bore readers.  Instead layer in the details to enhance the mood of a scene.  For example, use an avalanche or a ferocious storm to highlight an argument or the unstoppable passion between two people, or to foreshadow a monumental moment.


Tip for December 2006

Avoid Information Dumping

Dumping pages of information into your story bores readers and slows the pacing.  If you want to share backstory, do it in dribs and drabbles.  A little here, a little there will help keep the pacing tight and your readers turning the pages.


Tip for November 2006

Develop Well-Rounded Characters

No one likes a character who is all good or all bad.  Readers love three-dimensional characters they can identify with, hurt for, or curse at.  Villains have their good points, and heroes have their bad sides.  Show the reader all sides of the character.


Tip for October 2006

Read, read, read

Experts say that those who read are better writers than those who don't.  Read everything you can, both fiction and non-fiction, within the area you are targeting with your own writing and also outside it.  The more you read, the more you learn.  Plus you'll end up with a more well-rounded perspective.


Tip for September 2006

Staying Motivated

Writing isn't easy, and if you aren't motivated to write, you won't do it.  Set clear, specific, concrete goals with end dates.  Then keep your eye on the prize--finishing that manuscript or entering a contest--whatever your goal is.  Don't let naysayers stop you (believe me, they'll try!)  Be sure to reward yourself as you go.  A fun thing I do is pay myself $.10 for each page written each day.  I put the money into a box and watch it grow.  By the time I finish writing a novel, I have a nice wad of cash to spend however I want--so long as it's for something fun, just for me.


Tip for August 2006

Attend Conferences

I just got back from the RWA National Conference in Atlanta, and boy, did I learn a ton!  Conferences are a wonderful way to immerse yourself in both the craft and business sides of writing.  Plus you'll make new friends and renew friendships.  At conferences you learn things you won't at any other place.  Even better, maybe the person standing in line with you, waiting for coffee, is an editor or agent you're interested in meeting.


Tip for July 2006

Join Writing Organizations

Writing organizations can help you learn the craft of writing and boost your industry knowledge.  Find an organization that represents what you write (Romance Writers of America and Mystery Writers of America are examples).  Get to know like-minded writers in the organization and form a critique group.


Tip for June 2006

Attend Workshops

Workshops are a great way to learn new skills or brush up on skills you already have.  You'll meet other writers here, too.  To get the most out of the workshops, listen and participate fully.  Ask questions if you are confused.


Tip for May 2006

Judge Contests

Judging contests is a wonderful way to hone your writing skills.  Through reading the work of others and picking out what is good and what needs work, you will learn valuable things about the craft of writing.


Tip for April 2006

Read and use craft books to hone your craft

There are hundreds of how-to books out there.  Choose one, read it and apply what you learn.  This is a great way to hone your craft and punch up your writing.


Tip for February 2006

Be willing to learn new skills

Writing is a craft.  As with every craft, you learn by practicing, and by expanding your knowledge and skills.  Don't be afraid to attempt new skills.  For example, you may decide to work on your dialogue skills.  Listen to the way people (yourself included!) speak.  Study the way other writers use dialogue.  Then try what you learned in your own work.


Tip for January 2006

Write every day

If you write it, you will learn.  Make time to write every day.  Even if you only find time to write one page, if you do this daily, you'll write 365 pages in a year.


Tip for December 2005

Celebrate successes and failures

Successful is a wonderful thing.

So is failure.  If you get a rejection, pat yourself on the back.  You had the courage to try.  Eat chocolate, drink champagne.  Then sit right back down, make changes if you need to, and try again.


Tip for November 2005

Know the Market

Target your story for the right reading audience.

There are distinct differences between long and short contemporary, single title, paranormal, short historical and long historical categories, and other fiction genres.  Be sure your submission goes to the right editor at the right publishing house.


Tip for October 2005

Show, Don't Tell

Are you using narrative to explain a situation rather than showing through a character's thoughts, feelings, and actions?  Remember, the reader can't read your mind.  Bring her into the story by showing.  Convey that vivid picture in your imagination onto the page.  Make sure there is a clear and understood reason for whatever your characters do.


Tip for September 2005

Pacing

Good pacing is key in a good story.

  • Is there a balance between description, narrative and dialogue?  Too much or too little make for uneven pacing.

  • Don't overload your writing with backstory.  Layer this in a little at a time, only as needed, to clarify why a character thinks, acts, or feels a certain way.


Tip for August 2005

Goal, Motivation and Conflict

Each character must have a goal(s), motivation(s), and conflict(s).

  • Do your characters have external and internal goals?  Do they have external and internal conflict?  Have you somehow conveyed these things to the reader?  (Helpful tip:  internal conflict is sometimes referred to as emotional baggage.)


Tip for July 2005

Follow Your Heart

If you write what you think will sell, but you don't have much interest in or like your own story, it will show.

  • Write what you're interested in, but if you want to sell, write with an eye to the market.  (Helpful tip:  be savvy about what sells and what doesn't, and write the book of your heart in a saleable form.)


Tip for June 2005

Keep the story focused

Keep the story focused on the romance and the unfolding relationship between the hero and heroine.  Everything else is secondary!

  • Is your plot contrived and set up so that you "make" things work?  This is a red flag.  Sure, you need an external plot as a framework for your story, but allow the characters to pull the plot forward in their own, unique way.  This is what is meant by a "character driven" story and is important in romance novels.

  • Don't make the plot too big or too complex, which will shift the focus away from the love story.  Focus on the developing relationship between hero and heroine and use the external plot as a means of keeping/pushing them together.


Tip for May 2005

Dialogue is important!

Use it to move the story forward or to convey information.  Do not use it if it doesn't do one of these two things.  Keep accents and dialect to a minimum.


Tip for April 2005

Use Proper Formatting -- Follow Writing Conventions

Remember, the reader or editor looks at dozens of submissions/queries every day.  Reading all those submissions is hard on the eyes!  Make her/his job easier.

  • Start page one roughly 1/3 down the page

  • Double-space unless otherwise indicated (occasionally you might be asked for a single-spaced synopsis)

  • One-inch margins all the way around, including top and bottom

  • Use an easy-to-read font, such as Courier

  • Place the page number, your name, and the book title in the header of each page, including page one

  • Avoid typos, misspellings, poor punctuation, and grammatical errors (helpful tip:  if you're not certain about punctuation or grammar, consult a textbook, take a course or ask a friend for help)


Tip for March 2005

Make Every Scene Count

Use only scenes that advance the story in some way.  (helpful tip:  If you can't delete an unnecessary scene, save it to an "extra" file.)

  • Before you write the scene, know the following:  whose point of view (POV) will it be in?  What is the POV character's goal for this scene?  What keeps this character from reaching his/her goal?

  • Set the scene: how much time has elapsed since the previous scene?  Is the reader immediately pulled into the scene?  (use the five senses: visual, sounds, smells, tastes, touch)

  • Make sure the character's actions are properly motivated.  Do your characters' actions and reactions make sense?  Many writers understand the story in their head, but fail to convey their mental images and feelings to the page.

  • End your scene with a hook, some kind of "disaster" that will keep the reader turning the page.


Tip for February 2005

Start in the Right Place--With a Hook

Did you start your story too early?  If so, you risk boring the reader.  Keep the reader turning those pages by starting your story in the right place.

  • Begin your book in the middle of action.  Dwight Swain says, "start on the day that's different," i.e., when something changes or goes awry in your character's life.  Avoid too much backstory (the character's history).

  • Start your story with a hook.  What is a hook?  It is an event, a question, a character, a situation, dialogue, etc. that hooks the reader and makes her want to keep reading.


Tip for January 2005

Location, Location, Location

You've heard realtors say it.  How does it apply to writing?  Simple:  you must figure out which "location" (line and/or house) you want to target.  Then read, read, read.  Read old stuff and new, by a variety of authors who write for that line/house.  In doing so you will quickly decide what really appeals to you.  You will also get a "feel" for what works in that line with that particular publishing house.  A word to the wise:  If you don't like the stories or tone of a particular line, you probably shouldn't write for it.


Tip for December 2004

Attend Conferences

Attend conferences and request an appointment with an editor at the house you want to write for.  Pitch your book, making sure to emphasize the things that are important to the line you are targeting.


Tip for November 2004

Get Your Work Before Buying Editors

Is your writing professional and smooth, and your story polished?  Enter contests where editors for the line you've targeted are judging the final entries.  This is a great way to catch your targeted editor's eye.  Hint:  Save this route until your work is at a level that will earn a finalist rating.


Tip for September 2004

Setting Goals for writing success

If you're a serious writer, setting daily and yearly writing goals is essential. Start by setting your goal for the year. Write it down in first person. Example: I will start and complete a novel within one year of ___________ (put in today's date). Now break this big goal into small, reasonable goals you can accomplish each day. Example: I will write one page per day. Or two pages, or three--you choose. One page per day for 365 days equals 365 pages in one year. That's a whole book (or close to it)! Writing two pages per day means you'll be able to take time off for holidays and one or two days off each week, and still write those 365 pages in one year. Post your year-long and daily goals in plain view of your writing space as a reminder.

Happy writing, and enjoy that wonderful feeling of accomplishment that comes from meeting your goals.

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